Voice orb

Aura is a soft blob, about a third of the square, clipped so three coloured lights drift inside it. A slow breathe scales the shape, level swells it further, and thinking adds a faster wobble. The edge is a wobbly loop that gets rougher as level rises, so loud speech breaks the circle and silence settles it. A pale highlight sits toward the upper left, which is what makes the blob read as glassy. Size defaults to 240 and the preview uses 230. There is no bar count. The canvas stays square and shrinks to the container width. Ready damps the colour so the lights recede. The state line under the canvas is part of the preview, directly beneath the blob, with the four-way control below that.

Waves are four horizontal strokes across a wide canvas, defaulting to 420 by 160. Each stroke is a sine with its own frequency and direction. A bell envelope keeps the ends quiet, and level scales the amplitude from a thin line up to a tall band. In the thinking state the envelope collapses into a narrow ripple that travels back and forth instead of lighting the whole width. Ready fades the strokes. On a dark page the strokes use a lighter blend so they glow. On a light page they draw normally so they do not wash out. The component takes width and height rather than a single size. The same state control sits under the preview. There is no centre orb and no bars.

Radial bars draw spokes around a ring. The default count is 72, clamped between 3 and 180, on a square that defaults to 240. Left and right mirror the same noise so the shape stays symmetrical, like a voice print. Level lengthens the spokes. Thinking replaces that speech length with a bright sweep that rotates around the circle. A thin inner ring sits just inside the spokes, and the inner radius grows slightly with level. Ready halves the opacity. The line width scales with the canvas and the count so the spokes do not turn into a solid disk. The preview is the same square-plus-state-control layout as aura. Pass a smaller bars count when the orb is used as a tiny status mark.

The equaliser is a short row of vertical rounded bars, five by default, clamped from 1 to 64. The stage defaults to 220 wide and a 5:4 frame. Middle bars are biased taller than the outer ones. While speaking or listening, level and a moving noise drive the height. Thinking replaces that with a wave that travels across the row. Listening also keeps a small sine in the bars when level is low, so a quiet mic still moves. Ready damps the colour. The gradient on each bar runs from the state's colours, left to right across the row. This is the variant to put in a narrow composer. It does not draw a blob, a ring, or a dot field. The preview's state control is unchanged.

The dot grid fills a square, default size 220, with a round field of dots. The default is 15 dots across the widest row, clamped between 2 and 40. Dots outside the circle are skipped. Speaking pushes rings outward from the centre, and the rings reach farther as level rises. Listening pulls rings inward. Thinking lights a rotating wedge, brighter toward the rim. Ready is a slow dim pulse, and dots that fall under a low brightness draw as a faint neutral instead of a state colour. Colour shifts across the field using the same three tints as the other variants. The canvas is square. Use this one when a full-bleed texture fits the empty state of a call better than a single object in the middle.